Best Cavatina by Parfums Dusita Alternatives & Similar Perfumes

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.

An iconic classic in its own rite, Quelques Fleurs is a true ingenious scent of its time. The French perfumer, Robert Bienaimé, unveiled Quelques Fleurs the first true multi-floral blend ever created, in 1912.

Since then, his perfectly-balanced, refined bouquet has become modern perfumery’s peerless criterion for pure, meticulously-crafted, multi-floral accords. Prior to his bold invention, floral fragrances had been mainly singular flowers, or florals combined with various nuances of herbs and spices. Bienaimé’s singular triumph is remarkable for its secret, mythical formula. Upwards of 15,000 exemplary flowers and 250 prestigious raw materials are diligently-curated in the creation of a single ounce of perfume.

In India, flowers are sacred symbols and an essential part of daily life. “Malli Nadu” means “land of jasmine”, inspired by the paradise of perfume ingredients found in India. There’s jasmine sambac, cultivated in India since antiquity, with its radiant fruity/green sheen and animalic undertone. There’s tuberose, an opulent, powerful floral, along with davana, an aromatic plant unique to India with a profile that vibrates between apricot and herbaceous. Palmerosa oil supplies a geranium-like lift, while Indian vetiver and sandalwood deepens and softens the composition. Perfumer Ilias Ermenidis sought to translate the romance of India into this luminous scent, which he calls “a fragrance for lovers”

Delirium is a voluptuous bouquet of tropical abandon: decadent gardenia, heady jasmine, honeyed champaca, ripe narcissus, creamy frangipani and delicate white lotus. Blurring the lines between reality and fantasy, every breath is an addictive journey into the blissful unknown. With Delirium, the wearer becomes the dreamer and the dream, lost in a world where anything is possible.

Tuberose is arguably the most divisive and polarising floral note due to its narcotic and carnal tones, here Pierre Guillaume pays tribute to its couture complexity.

The camphorous and medicinal opening of PG17 Tubéreuse Couture, is softened by shoots of green ripe jasmine and a sour tart accord created by rare South Asian citrus kalamansi.

PG17 Tubéreuse Couture soon develops in a creamy, fleshy and opulent tuberose bouquet. Ylang-ylang heightens and supports the buttery and lactonic (milky)  tones of tuberose, sweetened by a base of sugar cane and benzoin.

A daring and head-turning scent, PG17 Tubéreuse Couture is a wonderfully dramatic interpretation of this flamboyant flower, in its pure, unadulterated state.

Definitely not for wallflowers.

From the ethereal perspective of the exquisitely adorned hummingbird, the world is an endless kaleidoscope of colourful, fragrant blooms offering up their tempting delights. An insatiable desire for sweetness propels the hummingbird as it floats from flower to flower, sampling the nectar with a gentle touch of its delicate tongue. Retreating to its lichen and moss-lined nest, it settles into the cozy cocoon and dreams of sweet ambrosia.

Hummingbird mingles light floral tones with delectable fruity nectars to create a harmonious balance. This diaphanous scent alights upon you in a pastel bouquet of honeysuckle, mimosa, lilac and peonies, with just the lightest dusting of natural sugars found in pear, cherry and honey. A finishing dollop of velvety whipped cream melds the tantalizing notes, completing this irresistible and opulent perfume.

Perfumer: Shelley Waddington

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The Sniff on Hummingbird:

"[it] settles beautifully and as it warms more floral notes develop. There was a strong lilac and something that reminds me of Viburnum – a sweet, almost jasmine-like smell."

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This “divine flower” is a luminous, untamed floral that captures the serenity of nature in motion. It starts bright and light: lemongrass and passion fruit, opening up to peony and lily of the valley. Watery, ethereal cyclamen drenches the richness of jasmine, ylang-ylang and narcissus like dew over a meadow. The drydown is green, a mingling of eucalyptus and sage with peppermint, juniper and pine, grounded by 
Mysore sandalwood and a hint of vanilla bourbon.

The unmistakable aroma of perfumed powders; the scent of face powder in a soft, gentle, enveloping fragrance. Subtly imbued with the richness of natural extracts from precious Rose, Jasmine and Ylang Ylang flowers to evoke the delicate beauty and femininity of the Belle Epoque.

The soft, gentle, enveloping fragrance of Teint de Neige in its most concentrated version. Recalling images and atmosphere of the belle-époque, with sweet and powdery notes of jasmine, rose, ylang-ylang on a base of musk, tonka beans and heliotrope.

The name means “immortal saints”, and this eau de parfum is a timeless white floral that conjures sunshine and joy. Blood orange and Champagne fizz out of the top, swirling around lavish tuberose and heady jasmine grandiflorum. The holy trinity of Cashmeran, ISO E Super and ambroxan creates a base that clings to skin, fabric and memory. 

Perfumer: Maud Chabanis